Feast of Film

Sandra Bullock and Keanu Reeves star in this enchanting romance across time, but not too much time. The plot: We begin as Kate Forster (Bullock) is just moving out of the lake house, an interesting glass house built on the shore of a lake north of Chicago. The film then cuts to Alex Wyler (Reeves), who is moving in. On checking the mailbox he finds a welcome note from Kate with the usual request to forward mail to her new address. She also apologises for the paw prints on the decking and floor. What paw prints, Alex wonders, just before a dog runs past him right in the middle of staining the decking leading up the house - thus are set the paw prints. How did she know? Alex writes to Kate asking her this and through a bit of to and fro, and seeing the mailbox magically raise and lower its flag by itself, they figure out what is going on. You see, Kate lived in the lake house after Alex, not before. They are corresponding across time - between 2004 and 2006. Needless to say, they fall

The most implausible plot I have seen in a long time - and that includes Sci-Fi. Flightplan is a Jodie Foster vehicle, which is not normally a bad thing for a film to aspire to, but they usually at least have a decent plot line. It should be noted that the previous Foster effort I reviewed - Inside Man - was stronger in plot but still provided a fairly thin Foster character. The plot: Kyle Pratt (Foster) is travelling home to the US with her daughter after her husband mysterious dies by falling from the roof of their apartment building (suicide is implied). Kyle is some sort of aircraft engineer, specialising in the engines, but works for an incredibly stingy company (they stick her in economy class). She boards the newest passenger megajumbojet - an A474 (think Airbus A380 but bigger) - for the trip home. It's a plane so big your child could get lost. Needless to say she goes to sleep and wakes up to find that her daughter is missing. What follows is a frantic search of the pla